Calls for Papers/Jan 07, 2021

Gender, Power, and the Body in Late Antiquity

Gender, Power, and the Body in Late Antiquity lead image

Gender, Power, and the Body in Late Antiquity, panel at 2022 AIA/SCS Annual Meeting Studies, San Francisco, January 5–8, 2022

We invite paper proposals that address some aspect of the interconnections amongst gender, embodiment, and expressions of power in the late ancient world.

Recent work (Ahmed, Queer Phenomenology, 2006; Cawthorn, Becoming Female, 2008; Graybill, Are We Not Men? 2018; Marchal, Appalling Bodies, 2020) has advanced our understanding of how power of various sorts (whether that be in political, military, familial, civic, or religious contexts) is presented and effected through one’s bodily presence. These negotiations and claims can often involve compelling gestures of gendered presentation and performance, which sometimes challenge — or more often underscore — prevailing social norms. The diverse cultures of late antiquity and Byzantium offer rich sites for exploring how bodily practices work to express claims for power and its active expression.

We hope to convene a panel of papers that draw on a broad range of literary, visual, or documentary material, encompassing historical, medical, philosophical, religious, or other relevant sources. Presentations may involve communities from any geographical or linguistic location of the Mediterranean and Near East. The time span for the panel is more or less from the third century CE into the middle Byzantine period (ca. 200 – 1100 CE).

Examples of research questions might include (but not be limited to): how contemporary disability studies inform ideologies of ascetic practice; how gender variance potentially modulates effects in oratory or juridical speech; how literary texts (prose or verse) project notions of power via images of gendered presence; how practitioners of ritual power (“magic”) compel divine forces through bodily action; how discourses of suffering, “virginity,” or sexuality operate in martyrological contexts; or how sculpture, mosaics, coinage, painting, or other visual sources convey messages of embodied potency. Proposals evincing a robust use of theoretical interpretive approaches would be especially welcome. 

Session Sponsor
Society for Late Antiquity

Session Organizer
Melissa Harl Sellew, University of Minnesota