Concepts of Sacred Spaces in Architecture and its Description in Literature from Early Modern Times to the Present, Sixth International Conference “A Dialogue of the Arts”, Université de Zürich, November 17–18, 2020

The biennial international conference „A Dialogue of the Arts“, pursues a long-term vision including Early Modern Times up to the present and including all places. It explores the possibilities of widening and enriching the methods of the history of art. The five conferences from 2010 to 2018 dealt with "Descriptions of Architecture in Literature from Early Modern Times to the Present”, first in a general way (2010), then focusing on „Descriptions of Interior Design” (2012), „The Relationship of Exterior and Interior” (2014) and „Reinterpreting Architecture and its Description in Literature” (2016) and finally „The Spatial Turn in Architecture” (2018). The sixth conference will take place from 17th to 18th November 2020 and is devoted to “Concepts of Sacred Spaces in Architecture and its Description in Literature from Early Modern Times to the Present”.

Larry E. Shiner stated, “if we begin with a sacred/profane or religious/secular dichotomy every piece of evidence tends to get polarized from the beginning and we end up with artificial paradoxes. On the other hand, if we begin with the concept of human spatiality, of lived space with its fundamentally heterogeneous, oriented and meaningful organization, we can accommodate the kinds of extreme phenomena for which the concepts of sacred and profane space were developed without distorting the phenomena which lie between these poles.” (Larry E. Shiner: Sacred Space, Profane Space, Human Space, in: Journal of the American Academy of Religion, 40 (1972), 425–436).

The aim of the sixth International Conference “A Dialogue of the Arts” is to question phenomena “which lie between these poles” of sacred and profane space, and this by relying on literature of different languages from Early Modern Times to the present. The past five conferences have shown that literary descriptions of different times and languages are a witness of the time in which they are written: on the one hand they are an important contribution for understanding the development of methods in art history, on the other hand they can disclose new interdisciplinary dialogues. The presentations and the subsequent publication of the peer reviewed papers of the foregoing conferences have shown clearly that literary texts of different genres like prose, poetry, travelogues, diaries as well as letters and other categories are door-openers not only for new art historical perceptions, but can also give hints to new methods for the discipline. This means not only the breaking up of the periodical conception of art history, but also the architectural and spatial categories which define it. Therefore, we are looking for papers showing new perspectives for the discipline, which will make it possible to engage and continue new dialogues for the different shifts of time and genres. We particularly encourage the submission of proposals that crosscut cultural contexts, present diachronic perspectives or establish relationships between different research areas. Furthermore, we encourage junior researchers to submit to this CFP.