Aural Architectures of the Divine: Sacred Spaces, Sound and Rites in Transcultural Perspectives

Aural Architectures of the Divine: Sacred Spaces, Sound and Rites in Transcultural Perspectives lead image

Aural Architectures of the Divine: Sacred Spaces, Sound and Rites in Transcultural Perspectives, Zoom and Università di Firenze, February 24–26, 2022

An interdisciplinary conference to be held in Florence from 24 to 26 February 2022 and virtually via Zoom will focus on the complex interrelation of sacred space, sound and rites in transcultural perspectives from ancient to premodern times. The research project “CANTORIA – Music and Sacred Architecture” (University of Mainz) and the “Dipartimento di Storia, Archeologia, Geografia, Arte e Spettacolo” (University of Florence) invite all interested researchers to participate. The conference will be held in a hybrid format – in Florence on site and virtually.

Since ancient times, religious practices and the perception of the divine have been determined by the intersection of rite, sound and sacred space. Temples, churches and other sacred buildings not only define a holy place as a physical and symbolic expression of a specific faith, but establish the setting for performative and multisensorial religious ceremonies in which music and other sonic manifestations play an important role. The structure, decoration and furnishing of sacred buildings create specific acoustics which influence the soundscape of sacred spaces. Performative rites such as services, processions, sacred plays or other liturgical ceremonies use the potentials of these environments in specific ways. Vice versa, architecture reacts to ritual and musical developments by modifying venerable sanctuaries or in designing and constructing new buildings.

The interdisciplinary conference explores the complex interrelation of sacred space, sound and rites in transcultural perspectives from ancient to premodern times. The sacred space is understood as a historical product, which was determined by a religion’s theological, aesthetic and socio-cultural context and which – conversely – shaped the performative, sonic and aesthetic dimensions of the ritual activities.

PROGRAM

Registration required. Email anmeldung-musikwissenschaft@uni-mainz.de. Registration closes February 23, 2022.